Jan van Eyckplein c 1900.
Looking towards the Spiegelrei.
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Opposite the Poortersloge, on Academiestraat, stands the historic Tolhuis, in Jan van Eyckplein.. Originally part of a larger merchant’s house, built in the 1200s, it does, in fact, comprise several parts: the corner house, Het Heilig Graf; Het Pijnderhuisje, the actual Tolhuis and Het Wezelkin.
The
Tolhuis itself is the part fronted by the natural stone gable. The
original merchant’s house was situated, for obvious commercial
advantage, in a developing trading centre in the growing port. Ships
entered Brugge via the Langerei and the Spiegelrei so, for traders,
it offered the ideal spot for building homes with ample storage
facilities. The office of the Tol, the Grote Tol, was housed there
from the beginning of the fourteenth century. This toll booth was
where an import tax, the Grote Tol, was collected on all goods
arriving in Bruges from the region or from international sources.
There was also a Kleine Tol, levied at the city gates, on local
trade. The amount to pay for the Grote Tol was calculated by weight
and thus a toll house always included a weigh house.
Jan van Luxemburg, c 1400. |
Napoleon in Brugge. |
Original drawing by architect
Louis Delacenserie.
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In 1876, the City authorities bought back the building to house the Bruges Library and the City architect, Louis
Delacenserie restored the facade and reconstructed the building housing the staircase. In 1889 the ground floor was converted to a fire station. A century later in 1995, the Provincial authorities bought the entire complex, protected as a monument since 1962. Following another thorough restoration and re-design, a number of services were housed there from 2001: the Provincial Library and Archives; the Provincial Information Centre and a Europe Information Point.
Corona
Update
Absolutely
nothing to report!! Belgium seems to be dealing well with the crisis
and lock-down continues, gilded, it must be said, by increasingly
warm sun. My walk from 8.30 this morning was the very Heaven. Almost
deserted everywhere, I was surrounded with picture-perfect reflections in canals touched early by
the sunlight; mediaeval
buildings standing proud but chiefly unnoticed, certainly by me until
this lock-down provided me with the opportunity and perspicacity to
notice the gables, the windows, the pale pink bricks and niches
filled with statues to Our Lady. This enforced alone-ness is actually
bringing me huge favours of time and opportunity to see, really see,
the stunning beauties of Brugge.
Seagulls practising social distancing. |
Madonna and Child,
near Beguinage,
one of hundreds in Brugge.
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