The Annunciation; Archangel Gabriel greeting Mary. From the opulent 12th century Copenhagen Psalter in the Kongelige Bibliotek, Copenhagen. |
Christopher de Hamel |
As a displacement activity in view of the appalling news re the Presidency in America, I think it is an opportune time to flag up a marvellous book I have just read. 'Meetings with Remarkable
Manuscripts' by Christopher de Hamel, Fellow Librarian at
Corpus Christi College, Cambridge before which he had a long and distinguished career
at Sotheby's handling and cataloguing illuminated manuscripts. His
scholarship is extraordinary but so is his delightfully modest
ability to make his intellectual exploration of twelve mediaeval
manuscripts, exciting and accessible to the lay person. It is one of the
most thrilling books I have ever read. Neil MacGregor calls it 'the intellectual expedition of a lifetime' as de Hamel explores twelve incomparable mediaeval manuscript codices from the sixth to the sixteenth centuries, all carefully guarded in university and other prestigious libraries in Europe and America, most after amazing journeys of ownership and sanctuary over centuries.
His book is part conversation with the
manuscript under study, and part with the reader In fact, I like his preferred title of Interviews with Remarkable Manuscripts; it neatly fits his style. He describes in detail
the often gorgeous illustrations, often with a background story of the illuminator, but he
The modest and talented Hugo Pictor, Hugh the Painter, 11th century |
My favourite person [apart from Dear Christopher himself, who is not just in the book, but of it] in this splendid narrative is Hugo Pictor, Hugh the Painter. De Hamel discovers where Hugo lived, who he worked for and what he did. The normal practice in making mediaeval manuscripts involved a division of labour between the scribe who wrote out the text and the illuminator who painted the pictures and the ornamentation. But this manuscript, de Hamel proves, was written and illustrated in the latter part, by the same man, Hugo Pictor. The manuscript is tenth century, the commentary in Latin, on the Book of Isaiah by Saint Jerome, an honourable commission indeed, but Hugo couldn't resist adding a small and delicate self-portrait on the last page with his name written around his head. Endearing and achingly personal. Can that really have been over a millennium ago?
But the
most exciting discovery for me was in the twelfth codex, the Spinola
Hours, c 1515-20 and now kept in the J. Paul Getty Museum near Los
Angeles. De Hamel talks of opening the Spinola and plunging straight
into the late Middle Ages and of the 'exceptionally rich' and
innovative decoration. The many illustrations in the book are
breath-taking miniature masterpieces and, de Hamel marvels, in exceptional condition.
What particularly thrilled me, living as I now do in Brugge, was the discovery that this book is
Flemish; the beautifully decorated, incredibly wide margins of the text pages, we learn, are in the Ghent-Bruges' style of Renaissance Flanders.
'The 'extraordinary layers of illusion in Ghent-Bruges manuscripts' is praised and De Hamel refers to panels of text being turned into three-dimensional illusions with scrolls fallen on to the page, and text pinned to the page. He describes the naturalistic flowers and berries scattered across the golden grounds of the wide borders, apparently attracting life-like snails and insects to settle there.
De Hamel does extensive and amazing detective work on the artists behind the luxurious decoration of the Spinola Hours and also on its relationship to two other first class mediaeval manuscripts but readers of my modest tribute must buy or borrow this book to discover his conclusions. Or put it on your Christmas list if you have someone who really wants to please you!
A typical wide border in The Spinola Hours, illustrative of the Ghent/Brugge style of naturalistic illumination. |
De Hamel does extensive and amazing detective work on the artists behind the luxurious decoration of the Spinola Hours and also on its relationship to two other first class mediaeval manuscripts but readers of my modest tribute must buy or borrow this book to discover his conclusions. Or put it on your Christmas list if you have someone who really wants to please you!
Another glorious Spinola page 1515-20
|