I was
meeting a friend at 11.30 for coffee so worked my way down half of
the mass of stalls on the actual, main 't Zand toward the Concertgebouw, then stopped, bewitched by a
display of mixed Oriental and African items. There were three
beautiful Buddhist hangings at the back over which two young Tibetans
were agonising when I arrived, and who were still at it when I left. 50 euros
is a Lot to pay for something even if it would have been much more
expensive in a shop. I saw two wooden masks, from the Congo
apparently, and eventually decided to buy both because they are so
lovely and primitive. Not ancient; about 50/60 years old, but simple
and beautifully peeled and aged. The price might just possibly have
come down more than the 10 euros I managed but the old boy selling
was re-arranging stuff in his house where the two masks had hung for
years and he so clearly loved the items on his stall. I keep in mind, when buying antiques and junk, an admonition
from a collector friend years ago. 'Always leave something in it for the
other person.' In other words, don't grind the price down to the
lowest because you can; leave a little profit for the seller and enhance his accompanying good feelings that come from a sale to someone who
clearly loves, and wants to buy, your erstwhile object. Whatever, I
left with good feelings too!
We found a table nearby in the sun, the day being still cool, and gradually thawed as we talked until another friend unexpectedly popped up with a German friend who had left his husband nearby guarding a tall column which I would have loved to have examined and will at some point. The two young Germans were flushed with that particular pride which comes to the authentic Rommelmarkt enthusiast who has made A Satisfying Purchase. The feeling is thrilling, quite different from the joy experienced when buying a shirt in a regular shop, for example. It is a mixed sensation of conquest, re the price and the resistance to the lowering of the same; delight at the beauty purchased and, I suppose, the ultimate pleasure of possession! It is the authentication, the validation, the affirmation of one's taste. Ooer, and you thought it was just people buying rubbish!
After that, friend and I wandered towards the station, looking at goods on stalls and grass as we passed, pouncing occasionally when something of real interest was noticed. She tried on several period [Thirties] hats, several of which looked bewitching on her. I dithered, then bought a black wire basket on feet beneath a black and white tiled top. Ostensibly for the terrace but it will stay inside to be used as it looks great on the black tiled dining area floor. Ten euros worth of heaven in fact!
I now have to show off the other mask as it is SO elegant. I had originally thought of them for the terrace which I am slowly, and often tentatively, decorating with beautiful furniture and some plants. I am unused to a garden with only pots and on the third floor of a building; quite different from the small shady garden and courtyard in Wye which I knew well. So, one pot of a beautiful grass died within three weeks of the effects of heat and wind. Thus, after examining the two Congolese masks, I have decided to keep them indoors for the winter at least; they are of a light-weight wood, quite frail and weather-worn already so think they must be treasured inside the apartment for now. I am now considering how one displays them. I could do with a small, heavy base of metal or wood, with a thin column like a stick on which to perch the face/mask. That would work but where to find?
Before I close, Luc has enquired and told me where I should find small display stands from a shop in Sint Andries so off I go to catch the No 15 bus on Saturday morning, to explore Sint Andries which I don't know at all.