Thi
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Detail from the Mary of Burgundy mural showing O.L.V where her memorial lies.
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This
festival would have been planned in the confident expectation of
thousands of tourists visiting Brugge in the summer, as usual. I
imagine the idea of huge images on gable ends would have also been expected to appeal to the young in particular but, it was also
suggested, they would help older people remember. There
were two distinct subject areas for the artists to consider: Legendz
and Nature. Having now seen examples of both I prefer the murals
depicting Legendz perhaps because of my interest in history though
the objective is to re-shape and re-connect the old and the new within the city.
The most dazzling mural for me is of Mary of Burgundy; a huge
presence on Houwersstraat.
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Mary of Burgundy, Houwersstraat. |
There
are many symbols in her portrait to be found; the euro and dollar
signs signal her wealth; the French lily in her dress represents the
French king and the rich Flemish citizens, merchants and nobility
supporting him. The falcon refers to her death outside Brugge when
she was hunting; the Gothic window stands for the church of Onze
Lieve Vrouw where her tomb is situated; her enormous hands are the
hands of Jesus treating men and women equally, symbols for giving,
creating, forgiving and sharing. The Brugse Zot and the swan refer
to Maximilian of Austria, Mary’s husband, while the coins are a
symbol of Brugge's economic status which produced, effectively, the world’s first Stock
Exchange.
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Jeremiah Persyn, Jamz. |
The
artist of this mural is Jeremiah Persyn, nicknamed Jamz, a native of
Brugge who worked for years as an art director,
draughtsman, graphic
artist and painter, creating textiles, décor, storyboarding. He
recently started a multi-media creative company, Sarazon, with his
wife, Sarah Van Dale. He has worked with the aerosol which he sees,
and uses, as a brush, since 1988.
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Dans der Zotten. |
Dans
der Zotten, the Dance of the Fools, dominates the space at the
side of the Concertgebouw. It commemorates the occasion in 1488 when
Maximilian of Austria banished the annual market. The inhabitants of
the city set up a grand fair and reputedly asked him for a madhouse
to which he replied, “
Close all the gates of Brugge and that’s
your madhouse.” Zot, at that time, meant a willful person with a
strange sense of humour. The four different zotten also represent
individual seasons and the artist chose lighter colours to merge into
the shades surrounding the graffiti wall. The
artist, Stan Slabbinck, began his career as a graffiti artist in the
late 1980s and has created for festivals and amusement parks, drawing
his inspiration from a wide range of contemporary subjects, often
critical of society, always evolving, discussing the themes of nature
versus people.
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Stan Slabbinck
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Stefaan de Croock, Strook. |
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Strook's Mysterious Woman looking into town. Perhaps this is my favourite. |
The
third artist is Stefaan de Croock, nicknamed Strook, born in Sint
Lucas in Ghent and thus an incomer to Brugge. He always uses
second-hand wood obtained from various sources like old houses,
collecting wood from old beams, doors, window frames, floors, some of
which may be three hundred years old but using the wood exactly as he
finds it, only cutting and sawing where necessary. This philosophy
implicitly criticises Society where much of what we use, is designed
not to last. He has been involved for six years on the Strook Art
Project and in 2014
The Huffington Post placed his work,
Wood and
Paint, in the top 20 most influential murals. He recently made a
large work for
The Crystal Ship in Ostende, using wood reclaimed from
the Mercator. He has exhibited in the U.S., Denmark, Canada and
Sweden and had been due to hold an exhibition in Ghent in October
2020. His exhibit in this festival, on a large, bare wall near ‘t
Zand, of a mysterious woman looking into town, is accomplished in his
trademark strips of wood, which he suggests, are able to bring order
from chaos and, through the old wood, tell a new story.
The most extraordinary feature of all the murals to this aged writer, is that they are created by aerosol cans obviously wielded by very creative hands. And secondly, painted large on outdoor walls. Talent and ingenuity combined.
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Mary of Burgundy emerging. |
The information for this week’s blog is entirely provided by Leen Ryckaert, professeur
extraordinaire!
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