There has been a plethora of “cultural summer happenings” in
Brugge this yeat. There is so much
going on with a stream of free
outdoor concerts like those during Moods; the trippeldagen of
concerts to mark National Day on July 21 in the Burg; Feest in ‘t
Park in Minnewater; Klinkende in different pubs; Cactusfestival again
in Minnewater. And now the MA Festival [Musica Antiqua] is drawing to
a close after many [not free] concerts in the Concertgebouw and
churches, plus a Fringe to give
opportunities to young musicians, and
an International Competition featuring a three year cycle of organ;
vocal and baroque ensembles; and harpsichord and other historical
keyboard instruments. Did I remember to mention Dancing in the
Vismarkt on Saturdays and Sundays? And the series of Carillon
concerts throughout the summer months on Monday and Wednesday
evenings. And of course, tomorrow, August 10th, there is Benenwerk,
with different styles of dancing available at no cost, at different
locations in the Egg, all free I believe
when Brugge will be even more full of visitors than usual!. These musical events, catering to a range of tastes, add a carapace of light-hearted spontaneity to the atmosphere here, mingling, as they do, in harmony with the church and convent bells and the usual carillon overtures, alongside the wonderful punctuation of horses’ hooves on cobbles. All while I try to ignore the ten year low for sterling in exchange with the euro!
Feest in 't Park 2019 |
Benenwerk 2019 |
when Brugge will be even more full of visitors than usual!. These musical events, catering to a range of tastes, add a carapace of light-hearted spontaneity to the atmosphere here, mingling, as they do, in harmony with the church and convent bells and the usual carillon overtures, alongside the wonderful punctuation of horses’ hooves on cobbles. All while I try to ignore the ten year low for sterling in exchange with the euro!
Africa/Asia Reading Room, British Library |
I recently received a welcome email from an American friend briefly
describing a marvellous exhibition at the British Library entitled
Writing: Making Your Mark. So enthused was I that I have delved into the British Library website to discover more and found
what sounds to be treasure.
Babylonian stela from Mesopotamia, Iraq Marduk Temple, 900-800 BCE. |
consisted of logograms [signs representing whole words; for example, a jaguar’s head signifying a jaguar] and syllabograms, [signs representing syllables; ka +ka +u =cacao] A later example is intriguing; from a wealthy but illiterate landowner from Ravenna, who used a symbol similar to a star inside a large wheel to sign a nine foot long papyrus deed for property/land sale and purchase.
Caxton and his first book printed in England, The Canterbury Tales. Caxton lived for many years in the Woensdagmarkt/ Spiegelrei area here in Brugge. |
Highlights of the exhibition include Scott of the Antarctic’s final
diary entry; an 1800 year old wax tablet containing a schoolchild’s
homework as he struggles to learn his Greek letters; Caxton’s first
book printed in England, The Canterbury Tales; and a 60,000 strong
petition from 1905 protesting against the first partition of Bengal and signed in both
Bengali and English. And there is more! Mozart’s hand-written
catalogue of his complete musical works from 1784-1791 featuring
musical notation also. Plus Alexander Fleming’s notebook recording
his discovery of penicillin from 1928.
Last entry, Scott's diary found after his death, 1912. |
For anyone reading this and living within reach of the British Library, the advice is to seek out this exhibition before August 26th!
Meanwhile, I love the words of Adrian Edwards, lead curator of the exhibition:
From hieroglyph to emoji and clay tablet to digital, Writing: Making
Your Mark will demonstrate how writing is so much more than words on
the page – it is how we communicate across time and space, how we
express ourselves, and how we lay down our collective memory. We hope
that visitors will consider their own relationship with writing in
the digital age and reflect on whether we will abandon pens and
keyboards in favour of voice-activated machine writing and video
messaging, or continue to carry the legacy of ancient times with us.
Last entries in Mozart's hand-written catalogue of his complete works showing The Magic Flute and La Clemenza di Tito. Begun Feb 9, 1784; completed at Mozart's death in 1791. |
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