My life is a tributary, serene and chiefly separate from the whirling of the greater river nearby, swirling along with the never-ending traffic and events driven by myriad influences and urgencies. Occasionally, as now, comes a Brexit tumult which threatens to swamp me, but I cling on grimly and wait for the optimistic calming of the choppy seas. Backwater financial calm hasn't yet arrived but I am learning to manage it and in the meantime, to keep enjoying my privileged life here in Brugge. This edition of my blog is late because it has been waiting for a week or more for images to be added but I am about to remedy that.
To finish the last week, I went to another concert, a free one this time [which suits my post-Brexit frugality] in the Munt, in de Orgelzaal of the Conservatorium. Een Podium voor de Passie [A Stage for Passion] is the general title of these concerts on the first Saturday of September, October, November, January, February and March. Organised by Alexander Makay and Patrick Pieters they offer a wide variety of music. Last Saturday, we heard Caldarium Musica with viol, piano, flute, piccolo and clarinet, playing a marvellous selection from Arvo Part, [Spiegel im Spiegel], Claude Debussy's Sonata for viol and flute; Mozart's trio for piano, clarinet, and viol; Beethoven's Sonata for Piano No. 14 and Sjostakovitsj's Waltz for piccolo, clarinet and piano, plus the Adagio from his Sonata for viol and piano. A richly satisfying evening with the proceeds from the retiring collection going to Plan Belgie, a marvellous charity which does important work with children in Africa. I happen to be a contributor to Plan UK and send letters to Sandra, a fourteen year old in Zimbabwe. Plan does much excellent work in Africa and in Asia
Caldarium Musica |
To finish the last week, I went to another concert, a free one this time [which suits my post-Brexit frugality] in the Munt, in de Orgelzaal of the Conservatorium. Een Podium voor de Passie [A Stage for Passion] is the general title of these concerts on the first Saturday of September, October, November, January, February and March. Organised by Alexander Makay and Patrick Pieters they offer a wide variety of music. Last Saturday, we heard Caldarium Musica with viol, piano, flute, piccolo and clarinet, playing a marvellous selection from Arvo Part, [Spiegel im Spiegel], Claude Debussy's Sonata for viol and flute; Mozart's trio for piano, clarinet, and viol; Beethoven's Sonata for Piano No. 14 and Sjostakovitsj's Waltz for piccolo, clarinet and piano, plus the Adagio from his Sonata for viol and piano. A richly satisfying evening with the proceeds from the retiring collection going to Plan Belgie, a marvellous charity which does important work with children in Africa. I happen to be a contributor to Plan UK and send letters to Sandra, a fourteen year old in Zimbabwe. Plan does much excellent work in Africa and in Asia
The back entrance, across a little terrace, of the Oud Huis Amsterdam across the square from me. |
My
usual week has sped past yet again; too much time trying to introduce
myself to Dutch in pursuit of which, I have been to two Praatgroups
where I stumble through the proceedings. Plus Anna Maria and her
grammar and Bart Moyaert readings on Monday mornings. I do have
several high spots in the week; my coffee with friends in a group of
English-speaking women, in Hotel Martin's, where this Wednesday I
saw my totally favourite Belgian waiter Martin, who speaks English
with an Irish accent, learned working in an Irish Pub here. He says
that everyone comments on his accent but the Irish claim not to
recognise it! Another high spot is my Thursday evening group which
meets to drink coffee, tea and beer and chat in English. Belgians
all, indeed Bruggelingen all, their English is super and their
company, delightful. They don't need my input really but I am
grateful to meet up regularly with a lovely group of friends.
Fast becoming a bit of an obsession is Mah Jong on a Thursday morning where four or five of us meet up with Nancy, a Chinese girl, who adores Mah Jong and manages to teach us without any apparent condescension for our stuttering efforts. She is, in fact, charming but strict, which paradoxically, adds to the fun, but it will be aeons before we reach the speed of the frequent little groups of scruffy men playing Mah Jong with a rapid intensity, in the gutters of streets in Beijing. I admired them when I watched them; now I know how difficult it all is, the retrospective admiration is boundless!
Not an image of modern Bejing nor a realistic interpretation of our weekly female sessions but it does suggest the historical background of Mah Jong. And our enjoyment is suggested and mirrored here. |
Fast becoming a bit of an obsession is Mah Jong on a Thursday morning where four or five of us meet up with Nancy, a Chinese girl, who adores Mah Jong and manages to teach us without any apparent condescension for our stuttering efforts. She is, in fact, charming but strict, which paradoxically, adds to the fun, but it will be aeons before we reach the speed of the frequent little groups of scruffy men playing Mah Jong with a rapid intensity, in the gutters of streets in Beijing. I admired them when I watched them; now I know how difficult it all is, the retrospective admiration is boundless!
Geert Bourgeois |
DO hope that this is not Politically Incorrect! |
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