While standing around waiting for the group to assemble to walk to the cinema some distance away, I was totally amused to spot a flyer labelled Robin Hood. As I was born in Robin Hood country and indeed, lived in Notts for about the first 34 years of my life, I have a certain proprietorial attitude towards this noble outlaw. The flyer was entitled: Una Leggenda Veneziana: Robin Hood. I didn't recognise many of the cast but yes, there were Marianna, Frate Tuck and Zanni il Piccolo who, just possibly, might be Little John. A magical evening to remember is promised with ironia, gioia and musicalita. In the narrative on the reverse side of the publicity material, I see that Robin is described as 'nacque a Venezia' [born in Venice] and as Principe dei Ladri [Chief of the Robbers] but also as Il Salvatore dei Poveri, the Saviour of the Poor. The show [Lo Spettacolo], by Teatroimmagine will be in the Commedia dell'Arte style. Possibly this production is the result of some Italian course at SNT because its name is on the publicity but there are also the names of L'Incontro [the meeting], a group of 'amici dell'Italia a Bruges' plus 'Teatro Immagine'. I love the idea of the whole thing; so many little Italian eccentricities are endearingly dotty and it is a bonusissimo to find this in Beloved Bruges of all places! The images above show the Italian interpretation and the statue outside Nottingham Castle which depicts the more traditional view of the Outlaw in Lincoln Green who Did Good unto the Poor and frequently did battle with Alan Rickman, the evil Sheriff of Nottingham.
I went to see Brussels Jazz Orchestra on Friday evening not knowing what to expect. Was stunned by the size of the outfit; I don't think ALL the members of the orchestra were on stage but there must have been between 80 and 90 musicians; there were, for instance, at least eight of the listed ten cellists playing. The energy and expertise were impressive and the music, by
Ades, Ravel and Peter Maxwell Davies, was vigorous but [ did you feel a 'but' coming on?] it was just too overwhelmingly loud and not my [conservative] idea of Jazz. The music was described as being between Klassiek and Jazz and the audience certainly loved it. For the first time ever, I left in the interval, feeling a bit of a
Philistine.
The photograph above from the BJO website is chosen, not for its close-up clarity but in an endeavour to suggest the sheer size of the outfit!
The following evening, back to the super Concertgebouw to hear Le Banquet Celeste, unknown to me but impeccably Early Music. The leader of the group, Damian Guillon, is a counter-tenor and he and the guest soprano, Celine Scheen, were delightful. There was Vivaldi and Scarlatti and in the second half came Pergolesi's Stabat Mater which was exquisite. The Pergolesi was recently voted top of the
favourites list by the audience of Radio Klara pushing aside Bach, the perennial choice.
It was a wonderful performance and my evening was made when I bumped into friends in the interval who also gave me a lift home. Rare treat to be in a car these days and able to escape the longish walk home in the cold and rain. I had done that the previous evening, thoroughly enjoying the Christmas lights and stopping off in the Markt, to buy a Gluhwein. The Markt was crowded but less than normal as sadly, many tourists have cancelled bookings for late November and December because of the Paris attacks and the strong Brussels connection and subsequent four day lock-down there. A friend who rang this week from Wye said the British papers all say how dangerous Belgium is. Such absurdity; it is no more dangerous than the UK and less so than London of course. Bruges in particular always feels so intimate a space and so safe; nothing has changed since the dreadful carnage in Paris.
Many thanks for this lovely photograph sent by my grandson Dan, taken when he was here last weekend. The three of us had been wandering among stalls of the Christmas market and were having a drink of Gluhwein I think, when he spotted an impeccable gentleman walking his equally dazzlingly sartorial dogs in the rain. He quickly photographed them with the ever-ready phone, my efforts with camera being much too slow. The dainty doglets were dressed with superb colour co-ordination and care and were quite unaware of the impact they had on the observer!
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