Keen to
return to normal life, I have been feeling energetic enough to be out
and about in Brugge for most of the past week. Tuesday for the
all-important hair appointment; highlights and trim and yet another
attempt to persuade Patrick, the master cutter, not to cut my hair
too short. In what I thought was a master stroke, I took along a
photograph taken at my first husband’s 80th party, in
2012, of a large family group, including me with slightly longer
hair. I showed him that that was what I really wanted instead of the
cut which caused friends and acquaintances to cry last month, ‘Gosh,
you have gone short. New hairstyle?’ No, just an
over-enthusiastic clipper/kapper. Patrick glanced at the photo and said,
‘With great respect, that hairstyle is old-fashioned.’ No
I protested, same hairsyle, my hair is just a little longer. He
shrugged, resignedly, and proceeded. I THINK my hair is a little
longer than after previous scalpings but not sure. Surely for 108
euros I should get my own way, she sighs pathetically.
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My terrace two days before the harbinger of Spring arrived
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The
weather has been much improved and one afternoon I ventured on to the
sunlit terrace to chop down or uproot dead stuff, sweep the leaves
and dead twigs, and generally begin what felt like a real move
towards Spring. En route home today I bought some lovely twigs with
nascent blossom buds on, from the marvellous flower shop on
Wapenmakerstraat nearby. The round bursting buds are pregnant with
promise and bring the message that Spring cometh. One only needs the
combination of pale sunshine and buds-about-to-burst to initiate a
kind of Spring fever.
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Three days after the snow, taken during a sunny wander
around the canals.
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Twice
this week, en route home, I have been spontaneously invited in for a
coffee. That's in addition to two other arranged meetings in coffee houses and a tea party at a friend's house. Definitely, all this convivial lubrication signifies the approach of Spring!
Thursday, passing a marvellous shop crammed with an Aladdin’s
cave of discarded saints, Jesus statues, putti, old books, etc which
I love, its owner, whom I now know, popped out and we chatted. He
showed me a photograph of his estranged father, now displayed in the
window in honour of his demise a few days before. Almost immediately
he began to recount an amazing and long story of his fractured
family, mostly re-told in its length, over a coffee nearby. It
reminded me of the opening of Anna Karenina: ‘All happy families
are alike; each unhappy family is unhappy in its own way.’ Unhappy
families may be individually
woebegone but the unhappiness
is always grounded in human relationships and the betrayals and
malign behaviour which emerge from dysfunctionality. I
thought of a young man,
a talented immigrant working in the hair salon where I go, who had
formerly spoken warmly of the need to be close to family, this
week waxing quite angrily
about
his family not appreciating him, or supporting him, only wanting him
to send money home. ‘I’m
going to live for myself,’ he fumed. And
the girl who comes to fix my feet every so often rhapsodising about
her second husband and their new young son, and her two other
much-loved children. Family first in all sorts of ways, a universal
unit, universally important to the healthy development of children
and the continuing well-being of adult members. I
moved away from my family in old age, confidently assuming that their
love and support would still be there, wherever I chose to wander.

Saturday
evening to the gorgeous Opera House in Gent, a centre for music
lovers and aesthetes alike in its slightly-faded, extravagant,
multi-tiered auditorium and the opulent glass and chandeliers in the bar
and sitting areas. It is a space confident in its place and with
assured pretensions to be a serious focus for musical art. It is a
pleasure to go there, none more so than to see and hear the
Symfonisch Orkest Opera Vlanderen. I know little about Gustav Mahler
and have never heard any of his liederen performed; last evening they
were from Des Knaben Wunderhorn and the long first half of the
concert consisted of all his songs from that work performed by
soprano, Barbara Senator, and
bass baritone, Josef Wagner. I was enchanted with the richness and
variety of the music and the art of the soloists. The second half was
a tumultuous Symfonie No. 2 in D, opus 73 by Brahms, both challenging
and passionate. A great evening.
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| Opera House, Gent |